List of works by Salvador Dalí
Salvador Dalí produced over 1,500 paintings in his career,[1] in addition to producing illustrations for books, lithographs, designs for theater sets and costumes, a great number of drawings, dozens of sculptures, and various other projects, including an animated short film for Disney. Below is a chronological list of his works:[2]
List of paintings and sculptures
Below is a list of Dali's works [3]
1910–1919
- Landscape Near Figueras (1910)
- Vilabertran (1913)
- Dutch Interior (1914)
- Fiesta in Figueres (1914–16)
- Head of Athene (1914)
- Landscape Near Ampurdan (1914)
- Untitled (1914)
- Untitled – House by a Lake (1914)
- Landscape (1916)
- Landscape (1916)
- Untitled – Landscape with Animals (1916)
- Witches and the Fall of Eve (1916–18)
- Cadaqués (1917–18)
- Crepuscular Old Man (1917–18)
- View of Cadaqués with Shadow of Mount Pani (1917)
- Bathers (1918–19)
- Boat (1918)
- Couple Near the Fortress (1918)
- Duck (1918)
- Hort del Llane (1918–19)
- Playa Port Alguer De La Riba, D'en Pitxot (1918–19)
- Playa Port Alguer from Riba d'en Pitxot (1918–19)
- Port of Cadaqués (Night) (1918–19)
- Portdogué (1918–19)
- Portrait of Lucia (Retrato de Lucia) (1918)
- Punta es Baluard de la Riba d'en Pitxot (1918–19)
- Sea View (1918–19)
- Still Life (1918)
- Untitled (1918)
- Vilabertrin Church Tower (1918–19)
- Es Pianc (1919)
- Es Poal – Pianque (1919–20)
- Evening Ball at the Patio of Mariona (1919)
- Landscape (Cadaqués) (1919–20)
- Llané Beach, Cadaqués (1919)
- My Cousin Montserrat (1919–20)
- Old Man of Portdogué (1919–20)
- Orchard at Llané (Cadaqués) (1919–20)
- Port Dogué – Cadaqués (1919)
- The Port of Cadaqués (1919)
- Portrait of a Gipsy (1919)
- Portrait of Hortensia, Peasant Woman of Cadaqués (1919)
- Portrait of Joaquim Mountainer (Allegory of a Sailor) (1919–20)
- Portrait of Mr. Pancraci (1919)
- Sailboat with Figure. Study for the Boat in "El Son" (1919)
- Self-Portrait in the Studio (1919)
- Still Life: Pomegranates (1919)
- The Tartan "El Son" (1919)
- The Three Pines (1919)
1920–1929
- The Artist's Father at Llane Beach (1920)
- The Bay at Cadaqués, with Cucurucuc Rock and the Sorrell, Peninsula (1920)
- Boxer (1920)
- Calanque Jonculs (Cadaqués) (1920)
- The Garden of Llaner (Cadaqués) (1920–21)
- Grandmother Ana Sewing (1920)
- The Lake at Vilabertran (1920)
- Landscape (Cadaqués) (1920)
- Landscape Near Cadaqués (1920–21)
- Landscape Near Cadaqués (1920–21)
- Moonlight Over the Bay At, Cadaqués (1920)
- Mother (1920)
- Portrait of the Artist's Mother, Dofia Felipa Dome Domenech De, Dalí (1920)
- Portrait of the Violoncellist Ricardo Pichot (1920)
- Portrait of Jose M. Torres (1920)
- Saltimbanques (1920–21)
- The Sardana of the Witches (1920)
- Satirical Portrait of Trotsky (1920)
- Small Rocky Bay of Nans (Cadaqués) (1920–21)
- Still Life (1920)
- Still Life by a Window (1920)
- Studies for a Self-Portrait and Portrait of My Father (1920)
- Study for "My Family" (1920)
- Study for Portrait of My Father (1920)
- Study for a Self-Portrait (1920)
- Tieta (1920)
- Two Gypsy Lads (1920–21)
- Two Studies for Portrait of My Father (1920)
- Untitled – the Artist in His Studio in Riba D'en Pitxot in Cadaqués (1920–21)
- The Vegetable Garden of Llaner (1920)
- View of Cadaqués from Playa Poal (1920)
- View of Portdogué (Port Aluger) (1920)
- Back View of Cadaqués (1921)
- Cover of "Per La Musica, Poems" (1921)
- Fair of the Holy Cross – The Circus (1921)
- Festival at San Sebastian (1921)
- Festival in Figueras (1921)
- Festival of St. Lucia At, Villamalla (1921)
- Landscape Near Cadaqués (1921)
- Llaner Beach in Cadaqués (1921)
- Man Holding Up a Baby as Though He Were Drinking from a Bottle (1921)
- Man with Porron (1921)
- Moonlight at Little Llané (1921)
- Motherhood (1921)
- Muse of Cadaqués (1921)
- Nymphs in a Romantic, Garden (1921)
- The Picnic (1921)
- Portrait of Grandmother Ana Sewing (1921)
- Portrait of Jaume Miravidles as a Footballer (1921–22)
- Portrait of My Father (1921)
- Portrait Ofjaume Miravidles (1921–22)
- Poster: Fieres i Festes de la Santa Creu (1921)
- Romeria – Pilgrimage (1921)
- Rural Scene (1921)
- A Seated Man and a Dancing Couple (1921)
- Self-portrait (1921)
- Self-Portrait (1921)
- Self-portrait (1921)
- Self-portrait (Figueres) (1921)
- Self-portrait with the Neck of Raphael (1921)
- Still Life for the Cover of "Per La, Musica, Poems" (1921)
- Title Page of the Magazine 'Empordá Federal' and Title Design for "Biografia d'en Pep Ventura" (1921)
- Voyeur (1921)
- Young Girls in a Garden (1921)
- Brothels (1922)
- Cabaret Scene (1922)
- Cadaqués (1922)
- Cubist Composition (Shapes) (1922)
- Cubist Composition – Still Life with Guitar (1922)
- Drinker (1922)
- Female Figure with Head in Arms (1922)
- The First Days of Spring (1922–23)
- Fishermen at Cadaqués (1922)
- Fishing Folk at Cadaqués (1922)
- Horse (1922)
- Jug (1922–23)
- Landscape – Cadaqués (1922)
- The Lane to Port Lligat with the View of Cape Creus (1922–23)
- Madrid, Architecture and Poplars (1922)
- Portdogué and Mount Pani from Ayuntamiento (1922)
- Seated Woman (1922)
- Self-Portrait (1922)
- Still Life (1922)
- Still Life (1922)
- Still Life (1922)
- Still Life (Pulpo y scorpa) (1922)
- Still Life – Fish (1922)
- Still Life with Aubergines (1922)
- Still Life with Glass (1922)
- Study of a Foot (1922)
- Summer Night (1922)
- Untitled – Landscape Near, Madrid (1922–23)
- Untitled – Scene in a Cabaret in Madrid (1922)
- Villa Pepita (1922)
- All Shapes Derive from the Square (1923)
- Barracks (Cadaqués) (1923)
- Bathers of La Costa Brava – Bathers of Llaner (1923)
- Cadaqués (1923)
- Cadaqués (Seen from the Tower of Creus) (1923)
- Coffee House Scene in Madrid (1923)
- Crystalline Still Life (1923)
- Cubist Composition – Portrait of a Seated Person Holding a Letter (1923)
- Cubist Self-Portrait with "La Publicitat" (1923)
- Domestic Scene (1923)
- El Moli – Landscape Near Cadaqués (1923)
- Figueras Gypsy (1923)
- Figures in a Landscape at Ampurdan (1923)
- Fried Egg on the Plate without the Plate (1923)
- Grandfather Clock (1923)
- Group of Young Catalan Girls (1923)
- Harlequin Sitting at a Table (1923)
- The Jorneta Stream (1923)
- La Jorneta (1923)
- Landscape Near Cadaqués (1923)
- Luis Buñuel and a Toreo (1923–24)
- Maternity (1923)
- Nude in a Landscape (1923)
- Portrait of My Cousin Ana, Maria Domenech (1923)
- Portrait of My First Cousin (1923)
- Portrait of My Sister (original State) (1923–24)
- Reverse Side of "Study of a Nude" (1923)
- Satirical Composition ("The Dance" by Matisse) (1923)
- Self-Portrait (1923)
- Self-portrait with L'Humanitie (1923)
- The Sick Child (Self-portrait in Cadaqués) (1923)
- Still Life (1923)
- Still Life (1923)
- Still Life: Fish with Red Bowl (1923–24)
- Study for "Woman with a Child" (1923)
- Study of a Nude (1923)
- Venus and Memory of Avino (1923–24)
- Woman Nursing Her Son (Mujer amamantando a su hijo) (1923)
- Ana Maria (1924)
- Bather (1924)
- Bouquet (L'Important c'est la Rose) (1924)
- Head of a Man with a Child (1924–25)
- Pierrot and Guitar (1924)
- Plant (1924)
- Port Alguer (1924)
- Portrait of Ana Maria (1924)
- Portrait of Luis Buñuel (1924)
- Portrait of Manuel de Falla (1924–25)
- Portrait of a Woman (1924)
- Siphon and Small Bottle of Rum (1924)
- The Station at Figueras (1924)
- Still Life (1924)
- Still Life (1924)
- Still Life (1924)
- Still Life: Watermelon (1924)
- Triple Portrait of García Lorca (1924)
- Bay of Cadaqués (1925)
- Cala Nans (1925)
- Don Salvador and Ana Maria Dalí (Portrait of the Artist's Father and Sister) (1925)
- Double-sided Verso (Studio Scene) (1925)
- Female Nude (1925)
- Figure at a Window (1925)
- Girl from the Back (1925)
- Girl Reclining on a Bed (Ana-Maria Dalí) (1925)
- Landscape Near Ampurdan (1925)
- Landscape Near Ampurdan (1925)
- Nude in the Water (1925)
- Pierrot Playing the Guitar (1925)
- Port Alguer (1925)
- Portrait of the Artist's Father (1925)
- Portrait of the Artist's Father and Sister (1925)
- Portrait of Ana Maria (Cadaqués) (1925)
- Portrait of Maria Carbona (1925)
- Portrait of Maria Carbona (1925)
- Purist Drawing (1925)
- Seated Monk (1925)
- Self-portrait Dedicated to Frederico (1925)
- Still Life (1925)
- Still Life with Moonight (1925)
- Study for "Venus and Sailor" (1925)
- Study of Nude (1925)
- Thought (1925)
- Venus and a Sailor () (1925)
- Venus and a Sailor () (1925)
- Venus and a Sailor – (Homage to Salvat-Papasseit) (1925)
- Venus with Cupids (1925)
- Venus with Cupids (detail) (1925)
- Abstract Composition (1926)
- Ana Maria, Sewing (1926)
- The Basket of Bread (1926)
- Cubist Figure (Figura cubista) (1926)
- Female Nude (1926)
- Femme Couchée (Nu Alongé) (1926)
- Figure on the Rocks (Figura damunt les roques) (1926)
- Figure on the Rocks (Penya Segats) (1926)
- The Girl – Study for "The Girl of Ampurdan" (1926)
- The Girl of Figueras (1926)
- Girl Sewing (1926)
- Girl with Curls (1926)
- Girl's Back (1926)
- Homage to Erik Satie (1926)
- Neo-Cubist Academy (Composition with Three Figures) (1926)
- Portrait of Federico García Lorca (1926–27)
- Portrait of a Girl in a Landscape (Cadaqués) (1926)
- Portrait of Sefiora Abadal De'Argemi (1926)
- Portrait of a Woman, (unfinished) (1926)
- Rocks at Llane (Landscape near Cadaqués) (1926)
- Rocks of Llané (first version) (1926)
- Sailor and His Family (1926)
- Self-Portrait Being Duplicated into Three (1926–27)
- Still Life with Two Lemons (1926)
- Study for "Girl Sewing" () (1926)
- Study for Girl Sewing (1926)
- Study for "Ana Maria". Cover of the Catalogue for Dalí's Second Exhibition at the Dalmau Gallery in Barcelona (1926)
- Study for "Blood Is Sweeter Than Honey" (1926)
- Study for "Girl Sewing" (1926)
- Study for "Girl Sewing" (1926)
- Venus and Sailor (Girl and Sailor; Unfinished) (1926)
- Woman in a Chemise, Lying, (Study for "Women Lying on the Beach") (1926)
- Women Lying on the Beach (1926)
- Apparatus and Hand (1927)
- Automatic Drawing (Untitled) (1927)
- Barcelonese Mannequin (1927)
- Figure Edged in Flames (1927)
- Harlequin (1927)
- Head (Draft of a Double Image) (1927)
- Head of a Woman (1927)
- Honey Is Sweeter Than Blood (1927)
- Nude Woman in an Armchair (1927)
- Ocell... Peix (1927–28)
- The Poet on the Beach of Ampurias – Federico Garcia Lorca (1927)
- Saint Sebastian (1927)
- The Severed Hand (1927–28)
- Still Life by the Light of the Moon (1927)
- Study for "Still Life by the Light of the Moon" (1927)
- Untitled (1927)
- Abstract Composition (1928)
- Anthropomorphic Beach (first state) (1928)
- Anthropomorphic Beach (fragment) (1928)
- Bather (1928)
- The Bather (Beigneuse) (1928)
- Big Thumb (1928)
- Bird (1928)
- Composition (1928)
- The Donkey's Carcass (1928)
- Female Nude (1928)
- Feminine Nude (first State) (1928)
- Fishermen in the Sun (1928)
- Fishermen in Cadaqués (1928)
- Little Cinders (Senicitas) (1928)
- Moonlight (1928)
- The Ram (The Spectral Cow) (1928)
- Rotting Bird (1928)
- Self-Portrait Dedicated to Federico Garcia Lorca (1928)
- Shell (1928)
- Soft Nude (Nude Watch) (1928)
- The Spectral Cow (1928)
- Sun (1928)
- Surrealist Composition (1928)
- Symbiotic Woman-Animal (1928)
- Unsatisfied Desires (1928)
- Untitled (1928)
- Untitled (1928)
- Untitled (1928)
- Untitled (the Sea and the Fishermen) (1928)
- The Wounded Bird (1928)
- Accommodations of Desire (1929)
- Amalgam – Sometimes I Spit on the Portrait of My Mother for the Fun of It (1929)
- André Breton, the Great Anteater (1929–31)
- The Butterfly Chase (1929)
- The Enigma of Desire: My Mother (1929)
- The First Days of Spring (1929)
- The Great Masturbator (1929)
- Illumined Pleasures (1929)
- Imperial Monument to the Child-Woman (1929)
- The Invisible Man (1929)
- The Invisible Man (1929)
- The Kiss – Study for the Couple Who Are Embracing in "The Great Masturbator" (1929)
- The Lugubrious Game (1929)
- Man with Unhealthy Complexion Listening to the Sound of the Sea (The Two Balconies) (1929)
- Phantasmagoria (1929)
- Portrait of Paul Eluard (1929)
- Profanation of the Host (1929)
- Studies for "The Enigma of Desire" and "Memory of the Child-Woman" (1929)
- Study for "the Enigma of Desire – My Mother, My Mother, My Mother" (1929)
- Study for "The Great Masturbator" (1929)
- Study for "The Lugubrious Game" (1929)
- Study for "Invisible Sleeping Woman, Horse, Lion" and for "Paranoiac Woman-Horse" (1929–39)
1930–1939
- Andromeda (1930)
- The Average Bureaucrat (1930)
- The Bleeding Roses (1930)
- Chocolate (1930)
- Consequences: Dalí, Gala Eluard, Valentine Hugo, André Breton (1930)
- The Feeling of Becoming (1930)
- The Font (1930)
- The Ghost of the Evening (1930)
- Gradiva (Study for "The Invisible Man") (1930)
- The Great Masturbator (1930)
- The Great Masturbator – Frontispiece for "The Visible Woman" (1930)
- The Hand (1930)
- Head of Hair (1930)
- Invisible Sleeping Woman (1930)
- Invisible Sleeping Woman (1930)
- Oedipus Complex (1930)
- Paranoiac Woman-Horse (1930)
- Portrait of Mr. Emilio Terry (unfinished) (1930)
- Premature Ossification of a Railway Station (1930)
- Pyre. Poster Design for the th Anniversary of the French Communist Party (1930)
- The Red Tower (Anthropomorphic Tower) (1930)
- Study for "The Dream" (1930)
- Study for "Invisible Sleeping Woman, Horse, Lion" (1930)
- Study for "Invisible Sleeping Woman, Horse, Lion" (1930)
- Tactile Cinema (1930–31)
- Untitled – Feminine Nude – Frontispiece of "La Femme Visible" (1930)
- Vertigo (1930)
- William Tell (1930)
- Board of Demented Associations (Fireworks) (1931)
- Combinations (or The Combined Dalínian Phantasms: Ants, Keys, Nails) (1931)
- Diurnal Illusion: the Shadow of a Grand Piano Approaching (1931)
- The Dream (1931)
- Erotic Drawing (1931)
- Figure Clock (1931)
- Gradiva (1931)
- Gradiva Finds the Anthropomorphic Ruins (1931)
- Landscape (1931)
- Le Spectre et le Fantome (1931)
- Mme. Reese (1931)
- The Old Age of William Tell (1931)
- Olive (1931)
- On the Seashore (1931)
- Paranoiac Visage – Postcard Sent by Picasso to Dalí (1931)
- Partial Hallucination. Six apparitions of Lenin on a Grand Piano (1931)
- The Persistence of Memory (1931)
- Portrait of Gala (1931)
- Remorse or Sunken Sphinx (1931)
- Shades of Night Descending (1931)
- Solitude (1931)
- Symbiosis of a Head of Seashells (1931)
- Untided (William Tell and Gradiva) (1931)
- Untitled (1931)
- Untitled – Erotic Drawing (1931)
- Vegetable Metamorphosis (1931)
- Woman Sleeping in a Landscape (1931)
- They Were There (1931)
- Agnostic Symbol (1932)
- Anthropomorphic Bread (1932)
- Anthropomorphic Bread (1932)
- Automatic Beginning of a Portrait of Gala (unfinished) (1932)
- The Average Fine and Invisible Harp (1932)
- Babaouo – Publicity Announcement for the Publication of the Scenario of the Film (1932)
- The Birth of Liquid Desires (1932)
- The Birth of Liquid Fears (1932)
- Detail of "Meditation on The Harp" (1932–34)
- Diurnal Fantasies (1932)
- The Dream Approaches (1932–33)
- Eggs on the Plate Without the Plate (1932)
- Eggs on the Plate Without the Plate (1932)
- Figure Study for "William Tell" (1932)
- Frontispiece for "Le Revolver Ii, Cheveux Blancs" by André Breton (1932)
- Gradiva (1932)
- The Invisible Man (1932)
- The Knight at the Tower (1932)
- The Meeting of the Illusion and the Arrested Moment – Fried Eggs Presented in a Spoon (1932)
- Memory of the Child-Woman (1932)
- The Mysterious Sources of Harmony (1932–33)
- Nostalgia of the Cannibal (1932)
- Ordinary French Loaf with Two Fried Eggs Riding Without a Plate (1932)
- Paranoaic Metamorphosis of Gala's Face (1932)
- Phosphene of Laporte (1932)
- Portrait of the Viscountess Marie-Laure de Noailles (1932)
- Portrait of Gala (1932–33)
- Preliminary Study for "Portrait of Vicomtesse Marie-Laure Cle Noailles" (1932)
- Studies for "Weaning of Furniture-Nutrition" (1932–33)
- Study for the Nurse in "The Weaning of Furniture-Nutrition" (1932–33)
- Study for "Large Painting" (1932)
- Study for "Meditation on The Harp" (1932–33)
- Study for "Memory of the Child-Woman" (1932)
- Suez (1932)
- Surrealist Architecture (1932)
- Surrealist Essay (1932)
- Surrealist Object Gauge of Instantaneous Memory (1932)
- The True Painting of "The Isle of the Dead" by Arnold Bocklin at the Hour of the Angelus (1932)
- Untitled (1932)
- Untitled (Erotic Drawing) (1932)
- Untitled – Cyclist with a Loaf of Bread on His Head (1932)
- Untitled – Female Figure with Catalonian Bread (1932)
- The Veiled Heart (1932)
- William Tell, Gradiva and The Average Bureaucrat (1932)
- Ambivalent Image (1933)
- Apparition of My Cousin Carolineta on the Beach at Rosas (1933)
- The Architectural Angelus of Millet (1933)
- Average Atmospherocepalic Bureaucrat in the Act of Milking a Cranial Harp (1933)
- Bureaucrat and Sewing Machine – Illustration for "Les Chants de Maldoror" (1933)
- The Bust of a Retrospective Woman (1933)
- Cannibalism of Objects (inscribed: Meat Glass, Meat Aeroplane, Meat Spoon, Meat Watch, Meat Head) (1933)
- Cannibalism. Illustrations for "Les Chants De Maldoror" by Lautreamont (1933)
- The Enigma of William Tell (1933)
- Flesh Aeroplane. Illustration for "Les Chants De Maldoror" by Lautreamont (1933)
- Gala and the Angelus of Millet Preceding the Imminent Arrival of the Conical Anamorphoses (1933)
- Geological Destiny (1933)
- Gradiva (1933)
- Illustration for Les Chants de Maldoror by the Count of Lautreamont (1933–34)
- The Judges (1933)
- Knight of Death (variant) (1933)
- Myself at the Age of Ten When I Was the Grasshopper Child (1933)
- Necrophilic Fountain Flowing from a Grand Piano (1933)
- The Phantom Cart (1933)
- The Phantom Cart (1933)
- The Phenomenon of Ecstasy (1933)
- Portrait of Gala with Two Lamb Chops Balanced on Her Shoulder (1933)
- Reverie – Password: Mess Up, All the Slate (1933)
- Soft Watches (1933)
- Study for "The Enigma of William Tell" (1933)
- Study for "Portrait of the Vicomtesse de Noailles" (1933)
- Sugar Sphinx (1933)
- Sugar Sphinx (detail) (1933)
- Surrealist Figure in the Landscape of Port Lligat (1933)
- Surrealist Figures, Joint Drawing by Dalí and Picasso (1933)
- Surrealist Horse – Woman-Horse (1933)
- The Temple of Love (1933)
- The Triangular Hour (1933)
- Two Faces of Gala (1933–34)
- Untitled (1933–34)
- Untitled (Study for Parts of "Invisible Harp, Fine and Medium" and Parts of "Skull with Its Lyric Appendage Leaning on a Bedside, Table...") (1933)
- Untitled – Death Outside the Head/Paul Eluard (1933)
- Aerodynamic Chair (1934)
- Allegory of an American Christmas (1934)
- Apparition of My Cousin Carolinetta on the Beach at Rosas (1934)
- Atavism at Twilight (1934)
- Atavistic Vestiges After the Rain (1934)
- Atmospheric Skull Sodomizing a Grand Piano (1934)
- Bust of Joella Lloyd (1934)
- Cannibalism of the Praying Mantis of Lautreamont (1934)
- Cardinal (1934)
- Conic Anamorphosis (1934)
- Consequences (1934)
- Consequences: Gala Eluard, Dalí, André Breton, Valentine Hugo (1934)
- Consequences: Gala Eluard, Valentine Hugo, André Breton, Dalí (1934)
- Consequences: Valentine Hugo, André Breton, Gala Eluard, Dalí (1934)
- Consequences: Valentine Hugo, Dalí, André Breton, Gala Eluard (1934)
- Eclipse and Vegetable Osmosis (1934)
- Enigmatic Elements in the Landscape (1934)
- Figure – Omelettes (1934)
- Figure and Drapery in a Landscape (1934)
- Figure with Drawers for a Four-part Screen (1934)
- Fossil Cloud (1934)
- The Ghost of Vermeer of Delft Which Can Be Used As a Table (1934)
- The Ghost of Vermeer van Delft (1934)
- Ghost of Vermeer Van Delft (1934)
- Hairdresser Depressed by the Persistent Good Weather (1934)
- Homage to Millet – for CeciIe, in Friendship (1934)
- The Hour of the Crackled Visage (1934)
- Hysterical and Aerodynamic, Nude – Woman on the Rock (1934)
- The Invisible Harp (1934)
- The Isle of the Dead – Centre, Section – Reconstructed, Compulsive Image, After Becklin (1934)
- The Javanese Mannequin (1934)
- The Knight of Death (1934)
- The Knight of Death (Horseman) (1934)
- The Little Theater (1934)
- Masochistic Instrument (1934)
- Meditation on the Harp (1934)
- Melancholy – to Marcel Remy in Friendship, Salvador Dalí (1934)
- Moment of Transition (1934)
- Morning Ossification of the Cypress (1934)
- Night Spectre on the Beach (1934)
- Omelette About to Be Irreparably Crushed by Hands (1934)
- Omelettes with Dynamic, Mixed Herbs (1934)
- Paranoiac Astral Image (1934)
- Persistence of Fair Weather (1934)
- Portrait of Gala with a Lobster (Portrait of Gala with Aeroplane Nose) (1934)
- Portrait of Rene Crevel (Dedicated to Julien Green) (1934)
- Portrait of Rene Crevel (Man with a Cigarette) (1934)
- Portrait of a Woman (1934)
- The Sense of Speed (1934)
- The Ship (1934–35)
- The Signal of Anguish (1934)
- Skull with Its Lyric Appendage Leaning on a Night Table which Should Have the Exact Temperature of a Cardinal's Nest (1934)
- The Specter of Sex Appeal (1934)
- The Spectre of the Angelus (1934)
- Study for "Cardinal, Cardinal!" (1934)
- Surrealist Furniture. Preparatory Drawing for Singularities (1934–35)
- Surrealist Knight for a Four-part Screen (1934)
- Surrealist Knights for a Four-part Screen, Centre Right (1934)
- Surrealist Poster (1934)
- Surrealist Warriors for a Four-part Screen, Centre Left (1934)
- Title Unknown – Ghost (1934)
- The Tower (1934)
- Untitled (Desert Landscape) (1934)
- Untitled (Dreams on the Beach) (1934)
- Untitled – Young Girl with a Skull (1934)
- The Weaning of Furniture-Nutrition (1934)
- West Side of the Isle of the Dead – Reconstructed Compulsive Image After Becklin (1934)
- The Angelus of Gala (1935)
- Archaeological Reminiscence of Millet's Angelus (1935)
- Don Quixote (1935)
- Drawing for "American Weekly" (1935)
- The Echo of the Vold (1935)
- Exquisite Cadaver (1935)
- Face of Mae West Which May Be Used as an Apartment (1935)
- The Horseman of Death (1935)
- Landscape After De Chirico (unfinished) (1935)
- Mediumnistic-Paranoiac Image (1935)
- The Nostalgic Echo (1935)
- Nostalgic Echo (1935)
- Paranoiac Visage (1935)
- Paranoiac Visage – The Postcard Transformed (1935)
- Paranoiac-Critical Solitude (1935)
- Paranonia (1935–36)
- Poster Project (1935)
- Puzzle of Autumn (1935)
- Soft Cramas and Skull Harp (1935)
- Solitude – Anthropomorphic Echo (1935)
- Study for "Premonition of Civil War" (1935)
- Study for "Premonition of Civil War" (1935)
- Study for "Premonition of Civil War" (1935)
- Study for "Suburbs of a Paranoiac-Critical Town" (1935)
- The Surrealist Mystery of New York I (1935)
- Thought Machine – Illustration for "The Secret Life of Salvador Dalí" (1935)
- Woman in a Hat Sitting on a Beach. Drawing for "American Weekly" (1935)
- Woman with a Head of Roses (1935)
- Ampurdanese Yang and Yin (1936)
- Ant Face. Drawing for the Catalogue Jacket of Dalí's Exhibition at the Alex Reid and Lefevre Gallery in London (1936)
- The Anthropomorphic Cabinet (1936)
- The Ants (1936–37)
- Aphrodisiac Dinner Jacket (1936)
- Aphrodisiac Dinner Jacket (1936)
- Apparition of the Town of Delft (1936)
- Autumn Cannibalism (1936)
- Beach Scene (detail study) (1936)
- Blactric Collars (1936)
- Bread on the Head of the Prodigal Son (1936)
- Bust with Drawers (1936)
- A Chemist Lifting with Extreme Precaution the Cuticle of a Grand Piano (1936)
- The City of Drawers (1936)
- The City of Drawers – Study for the "Anthropomorphic Cabinet" (1936)
- The City of Drawers – Study for the "Anthropomorphic Cabinet" (1936)
- A Couple with Their Heads Full of Clouds (1936)
- A Couple with Their Heads Full of Clouds (1936)
- Cover of "Minotaure" Magazine (1936)
- Decalcomania (1936)
- The Dream places a Hand on a Man's Shoulder (1936)
- The Forgotten Horizon (1936)
- The Fossilized Automobile of Cape Creus (1936)
- Freudian Portrait of a Bureaucrat (1936)
- Gala's Head – Rear View (1936)
- Geodesic Portrait of Gala (1936)
- Geological Justice (1936)
- The Great Paranoiac (1936)
- Hands Chair (1936)
- Head of a Woman in the Form of a Battle (1936)
- Hypnagogic Monument (1936)
- Landscape with Girl Skipping Rope (1936)
- Lobster Telephone (1936)
- Mae West's Lips Sofa (1936–37)
- The Man with the Head of Blue Hortensias (1936)
- Man with His Head Full of Clouds (1936)
- Messenger in a Palladinian Landscape (1936)
- Morphological Echo (1936)
- Morphological Echo (1936)
- Necrophiliac Springtime (1936)
- Night and Day Clothes (1936)
- Our Love (1936)
- The Pharmacist of Ampurdan in Search of Absolutely Nothing (1936)
- Singularities (Singularitats) (1936)
- Soft Construction with Boiled Beans (Premonition of Civil War) (1936)
- South (Noon) (1936)
- Study for the Cover of "Minotaure", No. (81936)
- Study for "A Couple with Their Heads Full of Clouds " (detail) (1936)
- Study for "Geodesic Portrait of Gala" (1936)
- Study for "Spain" (1936)
- Study of Horsemen (1936)
- Suburbs of a Paranoiac-Critical Town: Afternoon on the Outskirts of European History (1936)
- Sun Table (1936)
- Surrealist Composition with Invisible Figures (second version of "Rocks of Llané") (1936)
- Three Young Surrealistic Women Holding in Their Arms the Skins of an Orchestra (1936)
- Venus de Milo with Drawers (1936)
- Venus De Milo with Drawers (1936)
- The Vertebrate Grotto – Transfer Series (1936)
- White Calm (1936)
- Woman with Drawers (1936)
- Anatomical Studies – Transfer Series (1937)
- Average Pagan Landscape (1937)
- Burning Giraffe (1937)
- The Burning Giraffe (1937)
- Cannibalism of the Objects (1937)
- Creation of the Monsters (1937)
- Dinner in the Desert (1937)
- Dinner in the Desert Lighted by Giraffes on Fire (1937)
- Drawers Cannibalism (Composition with Drawers) (1937)
- Enchanted Beach (Long, Siphon) (1937)
- Herodias (1937)
- How Skyscrapers Will Look in 1987 (Drawing for "American Weekly") (1937)
- The Hysterical Arch (1937)
- Imaginary Portrait of Lautréamont at the Age of Nineteen (1937)
- The Invention of the Monsters (1937)
- Knights of Death (1937)
- Metamorphosis of Narcissus (1937)
- Palladio's Thalia Corridor (1937)
- Perspectives (1937)
- Portrait of Freud (1937)
- Queen Salome (1937)
- Sleep (1937)
- Study for "The False Inspection" (False Perspective) (1937)
- Study for "The Metamorphosis of Narcissus" (1937)
- Surrealist Dinner on a Bed (Drawing for a Film Project with the Marx Brothers) (1937)
- Surrealist Gondola Above Burning Bicycles (Drawing for a Film Project with the Marx Brothers) (1937)
- Swans Reflecting Elephants (1937)
- Untitled – Hysterical Scene (1937)
- Untitled – Lamp with Drawers (Drawing for an interior) (1937)
- Untitled – Standard Lamp With Crutches (Drawing for an interior) (1937)
- Untitled – Woman with a Flower Head (1937)
- Visions of Eternity (1937)
- The Woman in Flames (1937)
- Apparition of the Figure of Vermeer on the Face of Abraham Lincoln. Study for "The Image Disappears" (1938)
- Apparition of Face and Fruit Dish on a Beach (1938)
- Beach at Cape Creus with Seated Woman Seen from the Back Mending a Sail and Boat (1938)
- Beach with Telephone (1938)
- Coccyx Women (1938)
- Composition – Two Women with a Town in the Background (1938)
- Debris of an Automobile Giving Birth to a Blind Horse Biting a Telephone (1938)
- Enchanted Beach with Three Fluid Graces (1938)
- The Endless Enigma (1938)
- Face of the Great Cyclopean Cretin (1938)
- Fantastic Beach Scene with Skeleton and Parrot (1938)
- Gradiva (1938)
- Greyhound (1938)
- The Image Disappears (1938)
- Imaginary Figures with a Background of Spanish Monuments (Study for the Costumes for Coco Chanel) (1938)
- Imperial Violets (1938)
- Impressions of Africa (1938)
- Invisible Afghan with the Apparition on the Beach of the Face of Garcia Lorca in the Form of a Fruit Dish with Three Figs (1938)
- Mandolin, Fruit Dish With Pears, Two Figs on a Table (1938)
- Mythological Beast (1938)
- Palladio's Corridor of Dramatic Surprise (1938)
- Philosopher Reclining (1938)
- Portrait of Sigmund Freud (1938)
- Portrait of Sigmund Freud – Morphology of the Skull of Sigmund Freud. Illustration for "The Secret Life of Salvador Dalí" (1938)
- Spain (1938)
- Study for the Self-portrait in "Impressions of Africa" (1938)
- Study for the Self-portrait in "Impressions of Africa" (1938)
- Study for The Image Disappears (1938)
- The Sublime Moment (1938)
- The Transparent Simulacrum of the Feigned Image (1938)
- Untitled (1938)
- Untitled – Figure (unfinished) (1938–39)
- The Warning (1938)
- Actress Betty Stockfeld Is Metamorphosed into a Nurse (1939)
- Apparition of a War Scene on the Face of Lieutenant Deschanel. Cover of "Match" (1939)
- Baby Map of the World (1939)
- Bacchanale (1939)
- Ballerina in a Death's Head (1939)
- Drawing for "Bacchanale" (1939)
- The Dream of Venus (1939)
- The Enigma of Hitler (1939)
- Freud's Perverse Polymorph (Bulgarian Child Eating a Rat) (1939)
- Gradiva Becoming Fruits, Vegetables, Pork, Bread, and Grilled Sardine (1939)
- Gradiva, She Who Advances (1939)
- Group of Figures (1939)
- Landscape with Telephones on a Plate (1939)
- Mad Tristan (1939)
- Masked Mermaid in Black (1939)
- Metamorphosis of the Five Allegories of Giovanni Bellini (1939)
- Metamorphosis of a Man's Bust into a Scene Inspired by Vermeer (1939)
- Metamorphosis of a Man's Bust into a Scene Inspired by Vermeer (1939)
- Philosopher Illuminated by the Light of the Moon and the Setting Sun (1939)
- Portrait of Gala (unfinished; detail) (1939)
- Portrait of Sigmund Freud from "The Secret Life" (1939)
- Psychoanalysis and Morphology Meet (1939)
- Set for "Bacchanale" (1939)
- Shirley Temple, The Youngest, Most Sacred Monster of the Cinema in Her Time (1939)
- Sirens and Graces – Set Design for Dalí's "Bacchanale" (1939)
- The Sphere Attacks the Pyramid. Cover of the Catalogue of the Exhibition at Julien Levy's in New York. (1939)
- Study for Apparition of a Vermeer Figure on Abraham Lincoln's Face (1939)
- Study for Portrait of Gala (1939)
- Study for a Ballet Backdrop (1939)
- Telephone in a Dish With Three Grilled Sardines at the End of September (1939)
1940–1949
- Allegory of Sunset Air (Allegory of the Everning) (1940–41)
- Arches with Fruit Bowl. Study for Slave Market with the Appearance of the Invisible Bust of Voltaire (1940)
- Centaur (The Triumph of Nautilus) (1940)
- Daddy Longlegs of the Evening... Hope! (1940)
- Etudes d'Anges (1940)
- Family of Marsupial Centaurs (1940)
- Figures on the Stairs (1940)
- The Golden Age – Family of Marsupial Centaurs (1940–41)
- Group of Women Imitating the Gestures of a Schooner (1940)
- Lady Louis Mountbatten (1940)
- March of Time Comittee – Papillon (1940)
- Old Age, Adolescence, Infancy (The Three Ages) (1940)
- Perforated House with Fruit Bowl. Study for Slave Market with the Appearance of the Invisible Bust of Voltaire (1940)
- Slave Market with the Disappearing Bust of Voltaire (1940)
- Two Pieces of Bread, Expressing the Sentiment of Love (1940)
- Untitled (Three Figures and a Cypress) (1940)
- The Face of War (1940)
- Cafe Scene. The Figures at the Table Make a Skull – Drawing for the Nightmare in "Moontide" (1941)
- Car Clothing (Clothed Automobile) (1941)
- Costume for a Nude with a Codfish Tail (1941)
- Design for the Set of "Labyrinth" (1941)
- Design for "Labyrinth" (1941)
- Drawing for the Glass Hallucination in Hitchcock's Film "Moontide (the House of Dr. Edwards)" (1941)
- The Eye of Time (1941)
- The Face of War – Drawing for the Nightmare Scene in the Film "Moontide" (1941)
- Honey is Sweeter than Blood (1941)
- Invisible Bust of Voltaire (1941)
- Jewel (1941)
- Maquette of the scenery for "Labyrinth" (1941)
- Mysterious Mouth Appearing in the Back of My Nurse (1941)
- Original Sin (1941)
- Portrait of Gala (1941)
- Portrait of Gala. Study for "Galarina" (1941)
- Portrait of Mrs. George Tait, II (1941)
- Ruin with Head of Medusa and Landscape (1941)
- Set of "Tristan and Isolde" (1941)
- Soft Self-portrait with Fried Bacon (1941)
- Study for Slave Market with the Appearance of the Invisible Bust of Voltaire (1941)
- Study for "Original Sin" (1941)
- Study for "Portrait of Mrs. Georges Tait, II" (1941)
- Temple – Sketch for a Set Design (1941)
- The Triumph of Nautilus (1941)
- Birth of a New World (1942)
- Composition (Two Harlequins) (1942)
- Decor for "Romeo et Juliet" (1942)
- Design for the Interior Decoration of a Stable-Library (1942)
- Design for the set of "Romeo and Juliet" (1942)
- Design for the set of "Romeo and Juliet" (backdrops and wing flats) (1942)
- Design for a poster for "The Secret Life of Salvador Dalí" (1942)
- Divine Couple – Sketch for "Nativity of a New World" (1942)
- Equestrian Parade (possibly Set Design for "Romeo and Juliet") (1942)
- The Flames, They Call (1942)
- Juliet's Tomb (1942)
- Maternite Aux Oiseaux (1942)
- Melancholy – Portrait of Singer Claire Dux (1942)[4]
- Mural Painting for Helena Rubinstein (panel ) (1942)
- Mural Painting for Helena Rubinstein (panel ) (1942)
- Mural Painting for Helena Rubinstein (panel ) (1942)
- Nude on the Plain of Rosas (1942)
- Portrait of the Marquis De Cuevas (1942)
- Portrait of Mrs. Luther Greene (1942)
- Portrait of Mrs. Ortiz-Linares (1942)
- Romeo and Juliet Memorial (1942)
- Saint George and the Dragon (1942)
- The Sheep (1942)
- Study for the campaign against venereal disease: "Soldier Take Warning" (1942)
- Study for the portrait "Princess Arthchild Gourielli-Helena Rubinstein" (1942–43)
- Study for the Set of "Labyrinth" – Fighting the Minotaur (1942)
- Study for the set of "Romeo and Juliet" (1942)
- The Two on the Cross (1942)
- Untitled – Design for the Mural Painting for Helena Rubinstein (1942)
- Untitled – for the campaign against venereal disease (1942)
- Untitled – Set Design (Figures Cut in Three) (1942)
- William Tell Group (1942–43)
- The Broken Egg (1943)
- Condottiere (Self-Portrait as Condottiere) (1943)
- Geopoliticus Child Watching the Birth of the New Man (1943)
- Le Mendicant (1943)
- Madonna (1943)
- Madonna of the Birds (1943)
- The Madonna of the Birds with Two Angels (1943)
- Painting for the backdrop of "Cafe De Chinitas" (1943)
- The Poetry of America (unfinished) (1943)
- Portrait of Ambassador Cardenas (1943)
- Portrait of Mrs. Harrison Williams (1943)
- Princess Arthchil Gourielli (Helena Rubinstein) (1943)
- Saint Sebastian (1943)
- The Ship (1943)
- Stage Curtain for the Ballet "Cafe De Chinitas" (1943)
- Study for "Galarina" (1943)
- The Triumph of Tourbillon (1943)
- Untitled – New Accessoires (1943)
- The Apotheosis of Homer (1944–45)
- Dance – the Seven Arts (1944)
- Drawing for the dust jacket of "Hidden Faces" (1944)
- Frontispiece for "Hidden Faces" – I Am the Lady... (1944)
- Gala Naked. Study for "Dream Caused by the Flight of a Bee..." (1944)
- Galarina (1944–45)
- Giant Flying Demi-Tasse with Incomprehensible Appendage Five Meters Long (1944–45)
- Leg Composition. Drawing from a series of advertisements for Bryans Hosiery (1944)
- Mad Tristan (1944)
- Monumental Shield for "Hidden Faces" (1944)
- Music – The Red Orchestra – The Seven Arts (1944)
- Dream Caused by the Flight of a Bee Around a Pomegranate a Second Before Awakening (1944)
- Paranoia (Surrealist Figures) (1944)
- Sentimental Colloquy (Study for a Ballet) (1944)
- Study for the Backdrop of "Mad Tristan" (Act II) (1944)
- Study for the set of the ballet "Tristan Insane" (Act ) (1944)
- Study for "The Apotheosis of Homer" (1944)
- Tristan and Isolde (1944)
- "Tristan and Isolde" – study for the set of the ballet "Bacchanale" (1944)
- "Tristan Insane": Costumes for the Spirits of Death (1944)
- Untitled – the Seven Arts (1944)
- Untitled – the Seven Arts (1944)
- Untitled – the Seven Arts (1944)
- Untitled – Design for the ball in the dream sequence in "Spellbound" (1944)
- Women Metamorphosed – the Seven Arts (1944)
- Autumn Sonata (1945)
- Basket of Bread (1945)
- The Broken Bridge and the Dream (1945)
- Design for the Film 'Spellbound' () (1945)
- Design for the Film 'Spellbound' () (1945)
- Design for the set of the film "Spellbound" (1945)
- Don Quixote and the Windmills (1945)
- Drawing for "Spellbound" (1945)
- The Eye (1945)
- Fountain of Milk Spreading Itself Uselessly on Three Shoes (1945)
- Four Illustrations: Female Figures with Candle (1945)
- Illustration for "The Autobiography of Benvenuto Cellini" (1945)
- Illustration for "The Autobiography of Benvenuto Cellini" (1945)
- Illustration for "The Autobiography of Benvenuto Cellini" (1945)
- Melancholy (1945)
- My Wife, Naked, Looking at her own Body (1945)
- Napoleon's Nose (1945)
- Portrait of Mrs. Isabel Styler-Tas (1945)
- Poster for a Ballet (1945)
- Resurrection of the Flesh (1945)
- Shop Window with Sewing Machine and Umbrella (1945)
- Spellbound (1945)
- Study for the dream sequence in "Spellbound" (1945)
- Study for "Portrait of Mrs. Isabel Styler-Tas" (1945)
- Three Apparitions of the Visage of Gala (1945)
- Untitled – Portrait of a Woman (1945)
- Untitled – Scene with Marine Allegory (1945)
- Victory – Woman Metamorphosing into a Boat with Angels (1945)
- Benvenuto Cellini and Jupiter (1946)
- Christmas (Noel) (1946)
- Composition – Portrait of Mrs. Eva Kolsman (1946)
- Desert Trilogy – Apparition of a Couple in the Desert – for "Desert Flower" perfume (1946)
- Desert Trilogy – Apparition of a Woman and Suspended Architecture in the Desert – for "Desert Flower" perfume (1946)
- Desert Trilogy – Flower in the Desert (1946)
- Double Image for "Destino" (1946)
- Drawing for Disney's "Destino" (1946–47)
- Madonna (1946)
- Metamorphose (1946)
- Nude in the Desert Landscape (1946)
- One of illustrations for Shakespeare's "Macbeth" (1946)
- The Stain (1946)
- Study for the "Desert" Perfume Advertisement (1946)
- The Temptation of Saint Anthony (1946)
- Untitled (Spanish Dances in a Landscape) (1946)
- The Annunciation (1947)
- Battle Over a Dandelion (1947)
- Cathedral of Thumbs (The Thumbs) (1947)
- Dematerialization Near the Nose of Nero (1947)
- Design for "Destino" (1947)
- Design for "Destino" (1947)
- Drawing for " Secrets of Magic Craftsmanship" (501947)
- Feather Equilibrium (Interatomic Balance of a Swan's Feather) (1947)
- Hollywood (1947)
- Hollywood. Cover illustration for "Sunset" magazine (1947)
- The Impossible Model (drawing for " Secrets of Magic Craftsmanship") (1947)
- Jour de la Vierge (1947)
- Portrait of Picasso (1947)
- Rock and Infuriated Horse Sleeping Under the Sea (1947)
- Studies for the air centers and soft morphologies of "Leda Atomica" (1947)
- Study for Dematerialization of the Nose of Nero (1947)
- Study for Leda Atomica (1947)
- Study for "Leda Atomica" (1947)
- The Three Sphinxes of Bikini (1947)
- Untitled (Temple Frontage with Atomic Explosions) (1947)
- Wheat Ear (1947)
- Drawing for the programme for the ballet "As You Like It" after Shakespeare's comedy (1948)
- The Elephants (1948)
- Leda Atomica (first unfinished version) (1948)
- Portrait of Mrs. Mary Sigall (1948)
- Portrait of Nada Pachevich (1948)
- Study for a Portrait (unfinished) (1948)
- Untitled (Landscape) (1948)
- Untitled (Male Nude in a Landscape) (1948)
- Untitled – Illustration for "Secrets of Magic Craftsmanship" (1948)
- Four Armchairs in the Sky (1949)
- Future Martyr of Supersonic Waves (1949–50)
- "La Turbie" – Sir James Dunn Seated (1949)
- Lago di Garda (1949)
- Leda Atomica (1949)
- The Madonna of Port Lligat (first version) (1949)
- May (1949)
- Naples (1949)
- Rome (1949)
- Set design for the ballet "Los Sacos Del Molinero" (1949)
- Set design for the ballet "Los Sacos Del Molinero" (1949)
- Set design for the ballet "Los Sacos Del Molinero" (1949)
- Set design for the ballet "Los Sacos Del Molinero" (1949)
- Set design for the ballet "Los Sacos Del Molinero" (1949)
- Set design for the ballet "Los Sacos Del Molinero" (1949)
- Study for "The Madonna of Port Lligat" (1949)
1950–1959
- Angel (Study) (1950)
- Ascent into the Sky (1950)
- Backdrop for "Don Juan Tenorio" (1950)
- Carnation and Cloth of Gold (1950)
- Christ in Perspective (1950)
- Cork (study for "The Madonna of Port Lligat") (1950)
- The Creation of Eve – Gaining Twofold Living Nature from the Sleep of Man (1950)
- Dalí at the Age of Six (1950)
- Dalí's Moustache (1950)
- Design for the death scene in "Don Juan Tenorio" (1950)
- Erotic Beach (1950)
- The Judgement of Paris (1950)
- Kneeling Figure (Microphysical Phosphenes) (1950–51)
- Landscape of Port Lligat (1950)
- Landscape of Port Lligat with Homely Angels and Fisherman (1950)
- The Madonna of Port Lligat (detail) (1950)
- The Madonna of Port Lligat (second version) (1950)
- Metamorphosis and Dynamic Disintegration of a Cuttlefish Bone Becoming Gala (study for "The Madonna of Port Lligat") (1950)
- Mystical Carnation (1950–51)
- Rhinoceros Disintegrating (1950)
- The Soft Watch (1950)
- Study after "Madonna and Child" by Piero Della Francesca for "The Madonna of Port Lligat" (1950)
- Study for the child in "The Madonna of Port Lligat" (1950)
- Study for the drapery in "The Madonna of Port Lligat" (1950)
- Study for a Backdrop (1950)
- Study for head of "Madonna of Port Lligat" (1950)
- Study for "Myself at the Age of Six..." (1950)
- Celestial Coronation (1951)
- Cerberrus. Illustration for Dante's "Divine Comedy" (1951)
- Christ of Saint John of the Cross (1951)
- Cosmic Contemplation (1951)
- Dante (1951)
- Exploding Flower (1951)
- Explosive Madonna (1951)
- The Fallen Angel. Illustration for Dante's "Divine Comedy" (1951)
- The Followers of Simon. Illustration for Dante's "Divine Comedy" (1951)
- Human Skull Consisting of Seven Naked Women's Bodies (1951)
- Illustration for Dante's "Divine Comedy" (1951)
- Landscape with Cavalier and Gala (1951)
- A Logician Devil – Lucifer. Illustration for Dante's "Divine Comedy" (1951)
- Portrait of a Child (unfinished) (1951)
- Portrait of Colonel Jack Warner (1951)
- Portrait of Katharina Cornell (1951)
- Portrait of Mrs. Jack Warner (1951)
- The Queen of the Butterflies (1951)
- Raphaelesque Head Exploding (1951)
- Raphaelesque Head Exploding (1951)
- Study for "Christ of St. John of the Cross" (1951)
- Untitled (Ants and Wheat Ear) (1951)
- The Wheelbarrows (1951)
- The Angel of Port Lligat (1952)
- The Angel of Port Lligat (1952)
- Arithmosophic Cross (1952)
- Asummpta Corpuscularia Lapislazulina (1952)
- The Disintegration of Persistence of Memory (1952–54)
- Equestrian Molecular Figure (1952)
- Eucharistic Still Life (1952)
- Exploding Head (1952)
- Foreshortening of Gala (1952)
- Gala Placida (1952)
- Galatea of the Spheres (1952)
- Head of a Gray Angel (1952–54)
- Madonna in Particles (1952)
- Madonna in Particles (1952)
- Nuclear Cross (1952)
- Nuclear Head of an Angel (1952)
- Opposition (1952)
- Raphaelesque Dynamics (1952)
- Study for the Head of the Virgin (1952)
- The Tree (1952)
- Costume designs for "Le Ballet Des Vendangeurs" (The Grape Pickers' Ballet) (1953)
- Costume designs for "Le Ballet Des Vendangeurs" (The Grape Pickers' Ballet) (1953)
- Costume designs for "Le Ballet Des Vendangeurs" (The Grape Pickers' Ballet) (1953)
- Dalí's design for a fashion contest under the Theme "The Woman of the Future" (1953)
- The Grape Pickers: Bacchus's Chariot (1953)
- The Royal Heart (1953)
- Tortoise for "Le Ballet Des Vendangeurs" (1953)
- The Angel Cross (1954)
- Anthropomorphic Figure (1954)
- The Colossus of Rhodes (1954)
- Crucifixion (1954)
- Crucifixion ('Corpus Hypercubus') (1954)
- Dalí Nude (1954)
- Equestrian Fantasy – Portrait of Lady Dunn (1954)
- Gala Contemplating the Corpus Hypercubicus (1954)
- Galatée (1954)
- Head Bombarded with Grains of Wheat (Particle Head Over the Village of Cadaqués) (1954)
- Le Papillon au Rocher (1954)
- The Lighthouse at Alexandria (1954)
- The Lighthouse at Alexandria (1954)
- Madonna and Particle Child (Nuclear Drawing) (1954)
- The Maximum Speed of Raphael's Madonna (1954)
- Microphysical Madonna (1954)
- Noon (Barracks of Port Lligat) (1954)
- Portrait of Gala with Rhinocerotic Symptoms (1954)
- Portrait of Mrs. Ann Woodward (1954)
- Portrait of Mrs. Reeves (1954)
- The Pyramids and the Sphynx of Gizeh (1954)
- Rhinocerotic Disintegration of Illissus of Phidias (1954)
- Roman Cavalier in Spain (1954)
- Seven Flies and a Model (1954)
- Sketch for "Soft Watch, Exploding into Pieces after Twenty Years of Complete Motionlessness" (8881954)
- Soft Watch at the Moment of First Explosion (1954)
- Statue of Olympic Zeus (1954)
- Symphony in Red (1954)
- Two Adolescents (1954)
- The Walls of Babylon (1954)
- Young Virgin Auto-Sodomized by the Horns of Her Own Chastity (1954)
- Ascensionist Saint Cecilia (1955)
- Blue Horns. Design for a Scarf (1955)
- Combat (Microphysical Warriors) (1955)
- Illustration for "Tres Picos" (1955)
- The Lacemaker (copy of the painting by Vermeer Van Delft) (1955)
- The Last Supper (1955)
- Paranoiac-Critical Study of Vermeer's 'Lacemaker' (1955)
- Portrait of Laurence Olivier in the Role of Richard III (1955)
- The Rhinoceros Dressed on Lace (1955)
- The Rhinoceros Dressed on Lace (detail) (1955)
- Rhinocerotic Bust of Vermeer's "Lacemaker" (1955)
- Rhinocerotic Figures (1955)
- Rhinocerotic Portrait of Vermeer's "Lacemaker" (1955)
- Study for The Last Supper (1955)
- Two Disciples (Study for "Sacrament of the Last Supper") (1955)
- Untitled (The Amazing Adventure of Vermeer's "Lacemaker") (1955)
- Anti-Protonic Assumption (1956)
- Assumpta Canaveral (1956)
- Don Quixote (1956–57)
- Don Quixote (1956–57)
- Don Quixote (1956–57)
- Don Quixote (1956–57)
- Fancy Costumes (1956)
- The Infant Jesus (1956)
- The Motionless Swallow. Study for "Still Life – Fast Moving" (1956)
- Nature Morte Vivante (Living Still Life) (1956)
- Rhinocerotic Gooseflesh (1956)
- Saint Surrounded by Three Pi-Mesons (1956)
- The Skull of Zurbarán (1956)
- St. Helena of Port Lligat (1956)
- Study for a fruit bowl in "Still Life – Fast Moving" (1956)
- Study for "Nature Morte Vivante" (1956)
- Untitled (Landscape with Butterflies) (1956)
- Vase of Flowers (1956)
- Wine Glass and Boat (1956)
- Butterfly Landscape (The Great Masturbator in a Surrealist Landscape with D.N.A.) (1957–58)
- Celestial Ride (1957)
- The Duke of Urbino (Portrait of Count Theo Rossi Di Montelera) (1957)
- The Golden Age (Don Quixote) (1957)
- The Grand Opera (1957)
- Metamorphosed Women – The Seven Arts (1957)
- Modern Rhapsody – The Seven Arts (1957)
- Red Orchestra (1957)
- Rock 'n Roll (1957)
- Saint John (1957)
- Santiago El Grande (1957)
- Sorcery – The Seven Arts (1957)
- Swallow (1957)
- Untitled (Surrealist Landscape) (1957–58)
- Allegorical Saint and Angels in Adoration of the Holy Spirit (1958)
- Angel (1958)
- Ascension (1958)
- The Ascension of Christ (1958)
- Christ. From "The Apocalypse of St. John" (1958)
- Clown for "The Amazing Adventure of the Lacemaker and the Rhinoceros" (1958)
- Cosmic Madonna (1958)
- Cover of "The Apocalypse of St. John" (1958)
- Detail from "Moonlit Landscape with Accompaniment" (1958)
- Dionysus Spitting the Complete Image of Cadaqués on the Tip of the Tongue of a Three-Storied Gaudinian Woman (1958–60)
- The Discovery of America by Christopher Columbus (1958–59)
- Landscape Near Port Lligat (1958)
- Logical Rapproachment of a Trouser Button and a Pair of Cherries (1958)
- Meditative Rose (1958)
- Metamorphosis of Hitler's Face into a Moonlit Landscape with Accompaniment (1958)
- PI-Mesonic Angel (1958)
- The Pope's Ear (1958)
- Portraif of Chester Dale and His Dog Coco (1958)
- Portrait of Sir James Dunn (1958)
- Radiolaire Skeleton. Illustration for " Secrets of Magic Craftsmanship" (501958)
- Religious Scene in Particles (1958)
- The Sistine Madonna (1958)
- The Sistine Madonna (detail) (1958)
- Study for "The Discovery of America by Christopher Columbus" (1958)
- Velazquez Painting the Infanta Margarita with the Lights and Shadows of His Own Glory (1958)
- Christ on a Pebble (1959)
- Leda's Swan (1959)
- Of the Very Monarchical Education of the Young (1959)
- Pieta. From "The Apocalypse of St. John" (1959)
- Port Lligat at Sunset (1959)
- Portrait of Reinaldo Herrera Marquis De Torre Casa (1959)
- Study for "Woman Undressing" (1959)
- The Vase of Cornflowers (1959)
- The Virgin of Guadalupe (1959)
- Woman Undressing (1959)
1960–1969
- The Apocalypse of Saint John (1960)
- Arabs. Study for "The Battle of Tetuan" (1960)
- Beatrice (1960)
- Birth of a Divinity (1960)
- Birth of a Goddess (1960)
- Cathedral (unfinished) (1960)
- Chair with the Wings of a Vulture (1960)
- The Cosmic Athlete (1960)
- The Ecumenical Council (1960)
- The Ecumenical Council (1960)
- A Fate of the Parthenon (1960)
- Female Seated Nude (1960)
- Figure In the Shape of a Cloud (1960)
- Gala Nude From Behind Looking in an Invisible Mirror (1960)
- Hyperxiological Sky (1960)
- The Life of Mary Magdalene (1960)
- Madonna (1960)
- The Maids-in-Waiting (Las Meninas) (1960)
- The Maids-in-Waiting (Las Meninas; detail) (1960)
- Portrait of "Bobo" Rockefeller (unfinished) (1960)
- Portrait of Countess Ghislaine d'Oultremont (1960)
- Portrait of Juan de Pareja Repairing a String of His Mandolin (1960)
- Portrait of a Man (They Were There) (1960)
- Portrait of Mrs. Fagen (1960)
- Portrait of St. Jerome (1960)
- A Propos of the "Treatise on Cubic Form" by Juan de Herrera (1960)
- Saint Anne and the Infant (1960)
- Saint Anne and Saint John (1960)
- San Salvador and Antonio Gaudi Fighting for the Crown of the Virgin (1960)
- The Servant of the Disciples at Emmaus (1960)
- Six Figures (1960)
- The Space Elephant (1960)
- St. Peter's in Rome (Explosion of Mystical Faith in the Midst of a Cathedral) (1960)
- The Trinity (Study for "The Ecumenical Council") (1960)
- Two Religious Figures (1960)
- Untitled (1960)
- Untitled (The Lady of Avignon) (1960)
- Arabs. Study for "The Battle of Tetuan" (1961)
- The Battle of Tetuan (1961–62)
- The Infanta (Standing Woman) (1961)
- Leda's Swan (Leda and the Swan) (1961)
- Mohammed's Dream (Homage to Fortuny) (1961)
- Portrait of a Woman – Grey Jacket Wearing a Pearl Necklace (1961)
- Study for "The Battle of Tetuan" (1961)
- Study for "The Battle of Tetuan" (1961)
- The Alchemist (1962)
- Arab (1962)
- Arab (1962)
- Macrophotographic Self-Portrait with the Appearance of Gala (1962)
- Macrophotographic Self-Portrait with the Appearance of Gala (detail) (1962)
- Medusa's Head (1962)
- Portrait of Mr. Fagen (1962)
- The Sacred Heart of Jesus (1962)
- St. George and the Dragon (1962)
- Study for "The Battle of Tetuan" (1962)
- Study of a Female Nude (1962)
- Twist in the Studio of Velazquez (1962)
- Vision of Fatima (1962)
- Arabs – the Death of Raimundus Lullus (1963)
- Arabs – the Death of Raymond Lulle (1963)
- Desoxyribonucleic Acid Arabs (1963)
- D'Artagnan (1963)
- Fifty Abstract Paintings Which as Seen from Two Yards Change into Three Lenins Masquerading as Chinese and as Seen from Six Yards Appear as the Head of a Royal Bengal Tiger (1963)
- Galacidalacidesoxyribonucleicacid (1963)
- Hercules Lifts the Skin of the Sea and Stops Venus for an Instant from Waking Love (1963)
- The Judgement of Paris (1963)
- Madonna with a Mystical Rose (1963)
- Mohammed's Dream (1963)
- Portrait of My Dead Brother (1963)
- Religious Scene (1963)
- Study for Deoxyribonucleic Acid Arabs (1963)
- Study for Deoxyribonucleic Acid Arabs (1963)
- Study for "Fifty Abstract Pictures Which as Seen from Two Yards Change into Three Lenins Masquerading as Chinese and as Seen From Six Yards Appear as the Head of a Royal Bengal Tiger" (1963)
- Untitled (Still Life with Lilies) (1963)
- Bust of Dante (1964)
- The Dream of Ezechiel (1964)
- Female Nude (after restoration) (1964)
- Landscape with Flies (1964)
- Madonna with a Rose (1964)
- Untitled (St. John) (1964)
- Untitled. Female Nude on a Palette (1964)
- Venus with Drawers (1964)
- Venus' Otorhinologic Head (1964)
- The Anatomy Lesson (1965)
- Barcelona. Beachwear Design (1965)
- The Chalice of Life (1965)
- "Character Masquerading in Pinning Up a Butterfly" (1965)
- Coming Back. Design for a Beach Two-piece (1965)
- Crucifixion (Dedication: For Gala Queen of the Divine Dalí) (1965)
- Dalínian Empire. Design for a Summer Cocktail Dress (1965)
- The Duke D'Olivares (1965)
- Extra Flat. Design for a Bikini (1965)
- Fifty-Fifty. Swimsuit Design (1965)
- Homage to Meirronier (1965)
- Homage to Millet (1965)
- Laocoon Tormented by Flies (1965)
- Michelin's Slave – Can Be Used as a Car (1965)
- Night in the Hotel (Abstract in Black and White) (1965)
- Odalisque by a Bath (Harem Scene) (1965)
- ODalísque. Design for a Summer Evening Dress (1965)
- Philipp II Taking Communion (1965)
- Portrait of Gala (Gala Against the Light) (1965)
- Portrait of Mrs. Ruth Daponte (1965)
- The Railway Station at Perpignan (1965)
- Salvador Dalí in the Act of Painting Gala in the Apotheosis of the Dollar (1965)
- The Sun of Dalí (1965)
- Tennis. Design for a Tennis Dress (1965)
- Thirst (1965)
- Untitled (Apocalyptic Christ: Christ with Flames) (1965)
- Untitled (St. John from Behind) (1965)
- Yellow Astronaut (clerical). Design for a Summer Evening Dress (1965)
- Large Figure for "Tuna Fishing" (1966–67)
- Large Figure for "Tuna Fishing" (1966–67)
- Moses and the Pharaoh (1966)
- The Progress of "Tuna Fishing" (1966–67)
- Study for "Tuna Fishing" (1966–67)
- Study for "Tuna Fishing" (1966–67)
- Study for "Tuna Fishing" (1966–67)
- Tuna Fishing (advanced State) (1966–67)
- Tuna Fishing (advanced State) (1966–67)
- Tuna Fishing (advanced State) (1966–67)
- Untitled (Erotic Scene with Seven Figures) (1966)
- Ashtray (1967)
- Dalí-Flower (1967)
- Figure Climbing a Stair (1967)
- The Flower Show – Carnation (1967)
- Gala (1967)
- Le Voyageur (1967)
- The Mountains of Cap Creus on the March (1967)
- One of graphics for "Dalí illustre Casanova" (Dalí Illustrates Casanova) (1967)
- Swan-Elephant and Serpent – Can Be Used as an Ashtray (1967)
- Tuna Fishing (1967)
- Cyclops (1968)
- Fisherman of Port Lligat Mending His Net (1968)
- The Hallucinogenic Toreador (1968–70)
- L'Important C'est la Rose (1968)
- Light and Shadow (1968)
- Mad Mad Mad Minerva – Illustration for "Memories of Surrealism" (1968)
- The Patio of Port Lligat (1968)
- Sketch for "The Hallucinogenic Toreador" (1968)
- Study for the Toreador's Face in "The Hallucinogenic Toreador". The Likeness Suggests That It Could Well Have Become Gala's Face (1968)
- Study for "Cosmic Athlete" (1968)
- Study of Flies for "The Hallucinogenic Toreador" (1968)
- Tauromachia I – The Torero, the Kill (third and final round of the bullfight) (1968)
- Debris Christ (1969)
- Emblem of Wounded Pride (1969)
- Hour of the Monarchy (1969)
- Pimp (1969)
- The Pool of Tears. Illustration for "Alice in Wonderland" by Lewis Carroll in an Edition Published by Maecenas Press, New York (1969)
- Study of a Male Nude – Saint Sebastian (1969)
- The Swimming Pool in Port Lligat (1969–70)
- Tap (Grill) (1969)
- Toreo Noir (1969)
- Untitled (Still Life with White Cloth) (1969)
- Untitled (Surrealist Angel) (1969)
1970–1979
- Apparition of Venus (1970)
- Christ (1970)
- The Dalinian Senyera (Catalonian National Flag) (1970)
- Death Mask of Napoleon (1970)
- Death Mask of Napoleon (1970)
- Death Mask of Napoleon – Can Be Used as a Cover for a Rhinoceros (1970)
- Hannibal Crossing the Alps (1970)
- Hannibal Crossing the Alps (1970)
- The Horseman of the Apocalypse (1970)
- Les Clemolselles D'Avignon (The Girls of Avignon) (1970)
- Nude Figures at Cape Creus (1970)
- Op Rhinoceros (1970)
- Otorhinological Head of Venus (1970)
- Otorhinological Head of Venus (1970)
- Patient Lovers (Apparition of a Stereoscopic Face in the Ampurdan Landscape) (1970)
- Portrait of John Theodoracopoulos (1970)
- Portrait of Picasso (I Too Have Known the Emperor) (1970)
- Project for a Swimming Pool in Pubol (1970)
- Roger Freeing Angelica (St. George and the Damsel) (1970)
- Silhouette of a Tightrope Walker and Clown (1970)
- Sketch for a Ceiling of the Teatro-Museo Dalí (1970)
- Study for the Decoration of the Ceiling in Pubol (1970)
- Untitled (Michelangelo Head with Drawers) (1970)
- Winged Victory (1970)
- The Banker (series of eleven gouaches on different professions) (1971)
- Caligula's Horse (Dalí's Horses) (1971)
- Ceiling of the Hall of Gala's Chateau at Pubol (1971)
- The Christian Knight (Dalí's Horses) (1971)
- Clauilegnio – The Flaming Horse (Dalí's Horses) (1971)
- Dalí as a Child with His Father (1971)
- Design for the Pool at Port Lligat (1971)
- Doctor, Doctor (1971)
- Figure with Flag. Illustration for "Memories of Surrealism" (1971)
- Lady Godiva (Dalí's Horses) (1971)
- Le Char d'Or (1971)
- Now It Is Evening (Amazon) (1971)
- The Second Coming of Christ (1971)
- The Second Coming of Christ (1971)
- View of Pubol (1971)
- View of Pubol (1971)
- Dalí from the Back Painting Gala from the Back Eternalized by Six Virtual Corneas Provisionally Reflected in Six Real Mirrors (unfinished) (1972–73)
- Dalí from the Back Painting Gala from the Back Eternalized by Six Virtual Corneas Provisionally Reflected in Six Real Mirrors (unfinished) (1972–73)
- "Dalí" Palette. Frontispiece for the outline of "The Key Dalí Paintings" (1972)
- The Daughter of the West Wind (1972)
- The Face (1972)
- Gala's Dream (Dream of Paradise) (1972)
- Marilyn Monroe (1972)
- Object for Gala (1972)
- Overture in Trompe l'Oeil (1972)
- Palace of the Winds (1972–73)
- Palace of the Winds (ceiling painting in the Teatro Museo Dalí; detail) (1972–73)
- Polyhedron. Basketball Players Being Transformed into Angels (Assembling a Hologram – the Central Element) (1972)
- Quantification of Leonardo de Vinci's "Last Supper" (1972)
- Radiators, Radiator-Covers (1972)
- Self-Portrait (Photomontage with the famous "Mao-Marilyn" that Philippe Halsman created at Dalí's wish) (1972)
- Sfumato (1972)
- The Sleeping Smoker (1972–73)
- The Sleeping Smoker (1972–73)
- Space Eve (1972)
- Trajan on Horseback (1972)
- Untitled (Stereoscopic Painting) (1972)
- Behind (1973)
- Ceiling of the "Palace of the Wind" (1973)
- Figurine-Nike sur un Socle (1973)
- Gala's Castle at Pubol (1973)
- Hercules and Gravida (1973)
- Hitler Masturbating (1973)
- Holos! Holos! Velazquez! Gabor! (1973)
- Las Galas of Port Lligat (1973)
- Pomona, Autumn (1973)
- Portrait of Dr. Brian Mercer (1973)
- The Prince of Sleep (El principe de ensueno) (1973–79)
- Study for the Commemoration of the First Cylindrical Hologram for Alice Cooper (1973)
- Three Hyper-Realist Graces (Anti-Racism) (1973)
- The Angel of Alchemy (1974)
- Armchair with Landscape Painted for Gala's Chateau at Pubol (1974)
- Battle in the Clouds (1974)
- The Black Mass (1974)
- Bust of Velazquez Turning into Three Figures Conversing (1974)
- Christ of St. John on the Cross (1974)
- Cranach Metamorphosis (Woman in a Mirror) (1974)
- Equestrian Portrait of Carmen Bordiu-Franco (1974)
- Figure with Swan (1974)
- Gala at the Window (1974)
- Gala Contemplating the Mediterranean Sea Which at Twenty Meters Becomes the Portrait of Abraham Lincoln – Homage to Rothko (first version) (1974–75)
- Gala's Foot (1974)
- Gala's Foot (left panel) (1974)
- Gala's Foot (right panel) (1974)
- Nieuw Amsterdam (1974)
- Nude coming up a Stairway (1974)
- The Palace of the Wind (1974)
- The Palace of the Wind (1974)
- Patio-Garden of the Dalí Museum-Theatre in Figueras (1974)
- The Phoenix (1974)
- Ruggiero Freeing Angelica (1974)
- The Shoe (Surrealist Object Functioning Symbolically) (1974)
- The Shoe (Surrealist Object Functioning Symbolically) (reconstruction) (1974)
- Standing Female Nude (1974)
- To Meli (1974)
- Transformation of "Antiques" Magazine Cover into the Apparition of a Face (1974)
- Wounded Soft Watch (1974)
- Castor and Pollux (1975)
- The Chair (stereoscopic work, left component) (1975)
- The Chair (stereoscopic work, right component) (1975)
- Flamme-Figure (1975)
- The Giraffe (The Giraffe of Avignon) (1975)
- Lullus – Homage to Raimundus Lullus (design for a ceiling painting) (1975)
- Nude in a Landscape (1975)
- Study for "The Chair" (1975)
- Architectural Design (Eye Catching Economy) (1976)
- The Chair (stereoscopic work, left component) (1976)
- The Chair (stereoscopic work, right component) (1976)
- Christ Twisted (1976)
- Christ Twisted (1976)
- Gala Contemplating the Mediterranean Sea Which at Twenty Meters Becomes the Portrait of Abraham Lincoln – Homage to Rothko (second version) (1976)
- Homage to Philosophy (1976)
- Las Meninas (The Maids-in-Waiting) (stereoscopic work, left component) (1976–77)
- Las Meninas (The Maids-in-Waiting) (stereoscopic work, right component) (1976–77)
- Musical Harmony (1976)
- Perseu (1976)
- Portrait of Gala (1976–77)
- Preparatory Drawing for "The Chair" (1976)
- Soft Monster (Monstruo blando adormercido) (1976)
- Study for "Las Meninas" (stereoscopic work, left component) (1976)
- Study for "Las Meninas" (stereoscopic work, right component) (1976)
- Trajano to Horse (1976)
- The Unicorn (unfinished) (1976)
- The Wash Basin (stereoscopic work, left component) (1976)
- The Wash Basin (stereoscopic work, right component) (1976)
- Angelic Landscape (1977)
- Aurora's Head, After Michelangelo (detail of a Figure on the Grave of Lorenzo Di Medici) (1977)
- Dalí Lifting the Skin of the Mediterranean Sea to Show Gala the Birth of Venus (stereoscopic work, right component) (1977)
- Dalí's Hand Drawing Back the Golden Fleece in the Form of a Cloud to Show Gala the Dawn, Completely Nude, Very, Very Far Away Behind the Sun (stereoscopic work, left component) (1977)
- Dalí's Hand Drawing Back the Golden Fleece in the Form of a Cloud to Show Gala the Dawn, Completely Nude, Very, Very Far Away Behind the Sun (stereoscopic work, right component) (1977)
- Daphne: the Tree Woman (1977)
- Fertility (1977)
- The Happy Unicorn (1977)
- Head (stair-way in the museum) (1977)
- Las Meninas (The Maids-in-Waiting) - first metaphysical hyper-realist painting (unfinished) (1977)
- Mae West Room (1977)
- Monument dedicated to Francesco Pujol (Catalan philosopher) (1977)
- Nike, Victory Goddess of Samothrace, Appears in a Tree Bathed in Light (1977)
- Patio of the Teatro-Museo Dalí (1977)
- Portrait of Gala (1977)
- Randomdot Correlogram – The Golden Fleece (stereoscopic work, left component; unfinished) (1977)
- Randomdot Correlogram – The Golden Fleece (stereoscopic work, right component; unfinished) (1977)
- Soft Skulls with Fried Egg Without the Plate, Angels and Soft Watch in an Angelic Landscape (1977)
- Spanish Knight (1977)
- Study for "Dalí Lifting the Skin of the Mediterranean Sea to Show Gala the Birth of Venus" (1977)
- Surrealist Angel (1977)
- Untitled (1977)
- Virgin with Swallows (1977)
- Allegory of Spring (1978)
- Ampurdanese Landscape (1978)
- Cybernetic Odalisque (1978)
- Dark Tapeworms (1978)
- The Eye of the Angelus (stereoscopic work, left component; unfinished) (1978)
- The Eye of the Angelus (stereoscopic work, right component; unfinished) (1978)
- Gala's Christ (stereoscopic work, left component) (1978)
- Gala's Christ (stereoscopic work, right component) (1978)
- The Harmony of the Spheres (1978)
- Landscape Near Ampurdan (1978)
- Pierrot Lunaire (stereoscopic work, unfinished) (1978)
- A postage stamp designed by Dali for the French mail (1978)
- Stereoscopic Composition, Based on Millet's "Angelus" (unfinished) (1978)
- Stereoscopic Composition, Based on Millet's "Angelus" (unfinished) (1978)
- Study for The Harmony of the Spheres (1978)
- Woman with Egg and Arrows (1978)
- Athens Is Burning! The School of Athens and the Fire in the Borgo (stereoscopic work, left component) (1979–80)
- Athens Is Burning! The School of Athens and the Fire in the Borgo (stereoscopic work, right component) (1979–80)
- Battle in the Clouds (stereoscopic work, left component) (1979)
- Battle in the Clouds (stereoscopic work, right component) (1979)
- Copy of a Rubens Copy of a Leonardo (1979)
- Dawn, Noon, Sunset, and Twilight (1979)
- Gala Bouquet (1979)
- Long Live the Station at Perpignan, Long Live Figueras (1979)
- More Beautiful than Canova (1979)
- Nude and Horse with Metamorphosis (unfinished) (1979)
- Pentagonal Sardana (stereoscopic work, left component) (1979)
- Pentagonal Sardana (stereoscopic work, right component) (1979)
- Phosphene (1979)
- Raphaelesque Hallucination (1979)
- Searching for the Fourth Dimension (1979)
- A Soft Watch Put in the Appropriate Place to Cause a Young Ephebe to Die and Be Resuscitated by Excess of Satisfaction (unfinished) (1979)
- Study for "Compianto Diabele" by Canova (unfinished) (1979)
- Three Graces of Canova (unfinished) (1979)
1980–
- Arabs (1980)
- Arabs (1980)
- The Cheerful Horse (1980)
- Group Surrounding a Reclining Nude – Velazquez (1980–81)
- Sleeping Young Narcissus (1980)
- Untitled (Bridge with Reflections; sketch for a dual image picture, unfinished) (1980)
- Untitled (Landscape with Celestial Beings) (1980)
- Amphitrite (1981)
- Apparition of the Visage of Aphrodite of Cnide in a Landscape (1981)
- Argus (1981)
- Classic Figure and Head (unfinished) (1981–82)
- The Exterminating Angels (1981)
- Figures (Scene after Goya) (1981)
- Gala in a Patio Watching the Sky, Where the Equestrian Figure of Prince Baltasar Carlos and Several Constellations (All) Appear, after Velazquez (1981)
- The Garden of Hours (1981)
- The Gaseous Swan (1981)
- Great Tapeworm Masturbator, Appears Behind Arcades (1981)
- Hermes (1981)
- Jason Carrying the Golden Fleece (unfinished) (1981)
- Landscape (1981)
- Landscape with Rock in the Shape of a Triumphal Arch (1981)
- Medea or Jason Taking Possession of the Golden Fleece (1981)
- Mercury and Argos (1981)
- The Path of Enigmas (first version) (1981)
- The Path of Enigmas (second version) (1981)
- The Pearl (1981)
- Reading. Family Scene by Lamplight (1981)
- Ready-to-wear Fashion for Next Spring: "Garlands, Nests and Flowers" (1981)
- Seated Figure Contemplating a "Great Tapeworm Masturbator" (1981)
- Spanish Nobleman with a Cross of Brabant on His Jerkin (1981)
- Three Female Figures in Festive Gowns (1981)
- Tower (1981)
- Tower (1981)
- The Tower of Enigmas (1981)
- The Towers (1981)
- Untitled (Female Bust with Draped Cloth) (1981)
- Untitled (Head of a Woman; unfinished) (1981)
- Untitled (Imaginary Landscape at Pubol) (1981)
- Untitled (Skin of a Beach) (1981)
- Woman on a Ram (1981)
- After the Head of "Giuliano di Medici", Florence (1982)
- After Michelangelo's "Moses", on the Tomb of Julius II in Rome (1982)
- After Michelangelo's "Squatting Child" (1982)
- Architectural Contortion of El Escorial (1982)
- Atmospherocephalic Figures (1982)
- Don Jose Nieto Velazquez from "Las Meninas" by Velazquez, Musec, Del Prado, Madrid (1982)
- Double Victory of Gaudi (1982)
- El Escorial and Catastrophe-Form Calligraphy (1982)
- Enigma (unfinished version of "The Three Glorious Enigmas of Gala") (1982)
- Exploded Head (1982)
- Figure after Michelangelo's "Dawn" on the Tomb of Lorenzo di Medici (1982)
- Figure in the Water – After a Drawing by Michelangelo for the "Resurrection of Christ" (1982)
- Figure Inspired by the Adam of the Ceiling of the Sistine Chapel (1982)
- "Giuliano di Medici" by Michelangelo, Seen from Behind (1982)
- Head, after Michelangelo's, "Giuliano di Medici" (1982)
- Hysterical Venus de Milo (1982–83)
- In the Courtyard of the Escorial, the Silhouette of Sebastian De Morra, in which the Face of Gala, Surrounded by Catastrophic Signs, Appears (stereoscopic work, unfinished) (1982)
- The Infanta Margarita of Velazquez Appearing in the Silhouette of Horsemen in the Courtyard of the Escorial (1982)
- Landscape with Hidden Image of Michelangelo's "David" (1982)
- Martyr – Inspired by the Sufferings of Dalí in His Illness (1982)
- Mirror Women – Mirror Heads (1982)
- Ole (1982)
- Othello Dreaming Venice (1982)
- Pieta (1982)
- Pieta (1982)
- Rock Figure after the Head of Christ in the "Pieta" of Palestrina by Michelangelo (1982)
- Saint Sebastian (1982)
- Scene in the Courtyard of the Escorial with a Figure in the Foreground Inspired by Michelangelo's "Evening" on the Tomb of Lorenzo di Medici (1982)
- Sebastian de Morra with Catastrophic Signs (stereoscopic work, unfinished) (1982)
- Study for "Ole" (unfinished) (1982)
- The Three Glorious Enigmas of Gala (1982)
- The Three Glorious Enigmas of Gala (second version) (1982)
- The Tomb of Francesco Pujols (1982)
- Topological Study for "Exploded Head" (1982)
- Untitled (After "The Day" by Michelangelo) (1982)
- Untitled (After "The Night" by Michelangelo) (1982)
- Untitled (Composition – Courtyard of the Escorial with Figure and Sebastian De Morra, Veldzquez's Dwarf) (1982)
- Untitled (first study for "The Three Glorious Enigmas of Gala") (1982)
- Untitled – Equestrian Figure of Prince Baltasar Carlos, after Velazquez, with Figures in the Courtyard of the Escorial (1982)
- Untitled – Nude Figures after Michelangelo (1982)
- Velazquez and a Figure (1982)
- Velazquez Dying Behind the Window on the Left Side Out of Which a Spoon Projects (1982)
- Warrior (1982)
- Bed and Bedside Table Ferociously Attacking a Cello (1983)
- Bed and Two Bedside Tables Ferociously Attacking a Cello (1983)
- Bed and Two Bedside Tables Ferociously Attacking a Cello (1983)
- Bed and Two Bedside Tables Ferociously Attacking a Cello (Final Stage) (1983)
- Bed and Two Bedside Tables Ferociously Attacking a Cello (last state) (1983)
- Bed, Chair and Bedside Table Ferociously Attacking a Cello (1983)
- Car (1983)
- Cutlet and Match – The Chinese Crab (1983)
- Descent from the Cross of a Cello-Christ (1983)
- Head Inspired by Michelangelo (1983)
- Le Cheval de Triomphe - The Triumph Horse (1983)
- Pieta (1983)
- The Pieta of the Cello-Christ (1983)
- St. George Overpowering a Cello (1983)
- Study for Bed and Two Bedside Tables Ferociously Attacking a Cello (1983)
- Study for Chair and Bedside Table Ferociously Attacking a Cello (1983)
- The Swallow's Tail (1983)
- Topological Abduction of Europe – Homage to Rene Thom (1983)
- Topological Contortion of a Female Figure (1983)
- Topological Contortion of a Female Figure Becoming a Violoncello (1983)
- Torre Galatea (1983)
- The Truck (We'll be arriving later, about five o'clock) (1983)
- Untitled (Figures, Pieta, Catastrophic Signs) (1983)
- Untitled – Head of a Spanish Nobleman, Fashioned by the Catastrophe Model from a Swallow's Tail and Two Halves of a Cello (1983)
- Untitled – Series on Catastrophes (1983)
- Warrior Mounted on an Elephant Overpowering a Cello (1983)
- Alice in Wonderland (1984)
- Hommage a Terpsichord (La Danse) (1984)
- Profile du Temps (1984)
- The Profile of Time (1984)
- "Bracceli" the Warrior with a Corpse – Torero Series (1985)
- Head of Europa – Torero Series (1985)
- Interpretation of Goya's Los Caprichos (1985)
- Six Designs of Playing Cards, The Joker (1985)
- Two Phoenixes in Combat – Torero Series (1985)
Other works
Novels
Under the encouragement of the poet Federico García Lorca, Dalí attempted an approach to a literary career through the means of the 'pure novel'. In his only literary production, Dalí describes, in vividly visual terms, the intrigues and love affairs of a group of dazzling, eccentric aristocrats who, with their luxurious and extravagant lifestyle, symbolize the decadence of the 1930s.
Books
- 1933: The Tragic Myth of The Angelus of Millet[5]
- 1942: The Secret Life of Salvador Dalí
- 1946: Illustrations for Macbeth
- 1948: 50 Secrets of Magic Craftsmanship
- 1963: Diary of a Genius
- 1973: Le Diners De Gala, an illustrated cookbook
Screenplays
Libretto
In 1939, Salvador Dalí designed the set and wrote the libretto for a ballet entitled Bacchanale, based on Wagner's Tannhaüser and the myth of Leda and the Swan.
Albums
Je suis fou de Dalí! [6]
Adverts
Je suis fou du chocolat Lanvin [7]
Films
Animated films
Destino
Logos
Chupa Chups
References
- ^ "The Salvador Dalí Online Exhibit". MicroVision. http://www.daliweb.tampa.fl.us/collection.htm. Retrieved 13 June 2006.
- ^ Dalí, Salvador. (2000) Dalí: 16 Art Stickers, Courier Dover Publications. ISBN 0-486-41074-9.
- ^ http://www.dali-gallery.com/html/allworks_c.htm
- ^ Melancholy – Portrait of Singer Claire Dux by Salvador Dalí, 1942
- ^ El mito trágico de "El Angelus" de Millet
- ^ http://continuo.wordpress.com/2009/11/02/salvador-dali-je-suis-fou-de-dali/
- ^ http://youtube.com/watch?v=rK4Bh_arF-E
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